Monday 14 February 2011

jamie and sam anomatic

2 comments:

  1. I think you are under-estimating just how many shots you need if you are achieve good and convincing continuity. Dialogue shot just as one continuous shot is less engaging for the audience - will you have opportunities for shot/reverse shot? There just appears to be a bit of a miss martch between script and storyboard.

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  2. shot 1 = Reveal back of antagonist, but can't see detail of other character?
    Shot 2 - slow reveal tilt up to show the injuries
    Shot 3 - packing scene - fast paced, items being packed into boot, short duration shots end on boot being closed - you could shoot from inside the car boot. Or, just have a number of different perspectives of the packing. Get it done quickly!
    Bridge car shot - need a passenger to communicate with camera operator, use the slow lane as you can guarentee being in that lane, remeber this is a high risk environment so think through risks.
    Shot reverse shot in car is very ambitious. You need to meticulously plan it through. Also consider safety - you always need to be strapped in and don't involve driver.

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